This is Part II of a Three-Part Harmony!

This part has to do with the HARMONY of 432 hz. music as it relates to the SPECTRUM of LIGHT!

Let’s review a few of the key points in Part I. Keep in mind that most anthropologists agree that written languages such as the characters composing Aramaic (ancient Hebrew) and Greek alphabets were the natural evolution of NUMERIC QUOTATIONS. In other words, NUMBERS most likely existed before letters – not vice-verse. If that is true, and if say the number 144 means the same thing to any person in any culture, then is it correct to declare that studying the underlying gematria (the number value) structure of ancient words is therefore highly significant in getting the full meaning of the written words? If so, then let me remind you that the numeric value of the Greek word for Worship is exactly the number 432. Also remember that the gematria value for the Aramaic word meaning LIGHT is the number 144, or 12 squared (12 x 12.) Light, then, is synonymous with the number 144, and Worship is 432.

Do not forget also that NUMBERS and mathematical formulas are the foundational bedrock of all science and technology. This includes medical science and “pharmacology” – and is also true with the science of Music. Music is, after all, a science of NUMBERS!

So – are there SOUND reasons (pun intended) for sincere and honest Christian “Worship Teams” and bands to exclusively tune their various instruments “down” 8 hz and perform exclusively in 432 hz other than what was shared in Part I? Indeed there are.

One of the most common questions I have been asked by a portion of the many thousands of people who have downloaded my original post is: IS THIS “SCRIPTURAL” DR. OTT? Of course, this is a valid concern, and so here is my public answer: While there is no specific mention of four hundred three tens and two” in the written texts – the Christian needs to keep in mind that many biblical truths are only found and realized by the true believer “with ears to hear” after understanding the meaning of symbolism found in parables. Christ taught His disciples in Matthew 13 that parables are not to be understood by the profane minds of “the World”. So it is with the truths of 432 hz. geometry and symmetry.

We clearly see in the “authorized” King James Version that the word “LIGHT” (aka the number 144) appears exactly 272 times. Light first appears in Genesis 1:3 and clearly is an integral part of the INTELLIGENT DESIGN (aka Creation) of the earth and every living thing upon it. The Creator tells us in Genesis 1:4 that “Light is Good” – and is separate from DARKNESS. Pretty basic information right? But have you ever wondered what “Light” (aka the number 144) really consists of?

Modern physics has proven the scientific fact that “light” is nothing but nano-particles of VIBRATORY WAVE-LENGTHS measured and quantified in the “nano-meter” range. Furthermore, “light” that is visible to the retina of the human eye (and thus the brain) is composed of three “primary colors” of red, blue, and green. This constitutes the “spectrum” of light – and the basic colors of the RAINBOW – which is simply sunlight shining through water and water vapor. Notice the sequence in Genesis 1: 1-4. First “the Spirit of God moved upon the face of the waters” and THEN came Light!

The Bible then explains that the Creator, following the devastation and destruction of the flood, made a special covenant with Noah and his posterity – and the symbol of that “everlasting covenant” was the “Bow in the clouds” (See Genesis 9:13). Is it any surprise then, that all of the ancient prophets foretold the coming of the Messiah as being the covenant and promised “LIGHT OF THE WORLD” which would bring people out of their spiritual DARKNESS? Christ Himself declared the following as recorded in John 8:12 KJV “I am the light of the world: he that followeth me shall not walk in darkness, but shall have the light of life.”

So, how does all this relate to 432 hz tuned music as opposed to 44 hz. music?

First of all, keep in mind that true music theory as we know it today originated with an early mathematician and philosopher named Pythagorus of Samos (c. 58- c. 5 BCE). Apparently he was the first to show how “harmonic” tones can be generated by means of a simple 3:2 (perfect fifth) division of a string. This was further documented and expanded upon over the centuries by such men as Johannes Kepler and others. This is why 432 hz. tuning of concert A is named “Scientific Tuning” because it reflects these “perfect ratios”. (44 hz. doesn’t come close.)

This is best explained by showing a simple graph of these numeric ratios – where the horizontal plane shows numbers that are multiples of 3, while the vertical plane shows multiples of 2 (diatonics) as placed in a 7X9 matrix:

1 3 9 27 81 243 729

2 6 18 54 162 486

4 12 36 18 324 972

8 24 72 216 648

16 48 144 432

32 96 288 864

64 192 576

128 384 1152

256 768

Notice that the ninth multiple of 2 (256) becomes the perfect 5th tuning of “Middle C” when A is tuned to 432 hz. Six of the SEVEN NATURAL NOTES OF THE MUSICAL SCALE ARE REPRESENTED in this perfect numerical grid (with the notable exception of F – 342). C = 256 hz., D = 288 hz., E = 324 hz., F = 342 hz., G = 384 hz., A = 432 hz., and B = 486 hz.

Now look at the corresponding wavelengths and hertz measurements of the known components of LIGHT (aka 144).

LIGHT MUSIC

Wavelength (nm) Color Pitch Frequency (Hz)

365 Ultra-Violet B(3) 243*3 = 729

41.6 Violet B(2) 432*9/8 = 486

462 Blue A 384*9/8 = 432

519.75 Cyan (Lt. Blue) G 1152/3 = 384

??? Yellow ?? F 342

547.5 Green E 288*9/8 = 324

616 Orange D 256*9/8 = 288

693 Red C 256

73 Infra-red B 243

Notice how the wavelength measurements (in nano-meters) of the spectrum rainbow colors correspond ONLY to the perfect 5th tuning hertz frequencies “harmonics” of 432 Concert A. Notice also that yellow is not a true spectrum color, but is the median combination of the primal colors blue and red – and that its wavelength measurement is widely variant. The note F appears to be the “wolf frequency” in this equation. Notice also that we find the corresponding hz value of ULTRAVIOLET light (729) by multiplying the INFRARED hz f 243 by the TRINITY VALUE – the number 3. Also notice the sequence of consistency – that multiplying 4 numbers by the ratio of the numbers 9/8 gives us the next “perfect fifth” in the sequence.

Now notice the following “hidden truth”. The so-called “golden ratio” of PHI is also intimately connected to LIGHT. This ratio is clearly identified by those observers of nature who “have eyes to see”. It is readily apparent in virtually all life in multiple forms. In addition to the witness of nature itself, – we also find this to be true at the most basic nano level – remember, LIGHT and ALL MATTER vibrate on a specific HZ ratio of 8 – specifically called by quantum researchers as simply: E8.